An Unsuspecting Turn Towards Poetry

This morning I was looking in my Liturgy of the Hours book for a Marian hymn and randomly opened to a poem by Gerard Manley Hopkins called "My Own Heart Let Me More Have Pity On." 

I was what I suppose you would call dumbfounded by this poem. So many thoughts crowding in, like children eager to see the cool thing and ask a hundred questions about it. 

I've been on a journey lately that has taken a decided turn towards lessons of self-compassion. When these lessons started, I was suspicious of the Holy Spirit. Self-compassion just didn't fit the schema I had unwittingly marinated in for so long. Finding this in my breviary (ok, yes, the same book that also contains Morning Has Broken, which makes me roll my eyes, which possibly also is a fault) made me realize that perhaps I am not the only one that the Holy Spirit has taken through this course. And perhaps, just perhaps, I ought to acknowledge that this has been a holy journey, and treat it accordingly.

That was the first thought.

I thought of how many priests I've heard quote Hopkins in homilies over the years, especially at my first parish, Gesu. Come to think of it, I was suspicious then, too.

Charitable. That word just tumbles out like its own sermon. One does not argue with a call to be charitable. Not even with oneself. 

I thought of how in the Psalms the author is often talking to his own soul just like Hopkins does here. "Let be!" Today this struck me gently, almost playfully, but I know there are other days when I have to say it more sternly.

This line made so much hope rise up in me: "let joy size At God knows when to God knows what." It's like peeling back the normal sarcasm or jadedness to hear the actual truth underneath. Because God does know when and God does know what, and I can trust Him with that.

And then the crescendo for me: "whose smile 's not wrung" -- isn't that just the longing of every human heart. A genuine smile, directed at me. Not forced or contrived or uncomfortable or awkward or apologetic or announcing departure. But a smile that stays and gazes. At me.

I love how Hopkins makes up words. His soul is saying something and to come close he has to jumble through his verbal workshop and jimmy something together. Hah! I guess you normally jimmy something apart, but you get the idea.

Then the last kicker. I read the poem and I had tears in my eyes thinking about how I used to love poetry. I used to love literature. Back in college, studying English, really losing myself in authors and finding myself in the emotion of it all. And I thought, where did she go? It was before I joined the charismatic fellowship and significantly before I became Catholic. I wasn't consumed in how a certain practice of Christianity had to define how I related to others in this world, I, a young adult who was so incredibly unsure of so much, and wanted doctrine to be a fortress that protected me because I wasn't sure how to be a person and doctrine was the only thing that had ever presented itself as absolute. I thought about how many layers of skin I've shed since then, about how my conversion to Catholicism happened on the Feast of the Nativity, the celebration of the Incarnation, when God became Man to teach man to become God. And when mystic lovers like John of the Cross try to speak about the soul and God, they have to resort to poetry, because mere words can't do it. 

It's like I became reacquainted with a certain part of My Own Heart, of which perhaps I should say Let Me More Have Pity On. Perhaps I have squashed too much down too hard because I thought what God wanted was a certain brand of religiosity, like forcing myself into a pizzelle press, instead of being

what was that word?

Charitable.